\version "2.18.2"

voiceone = \relative c {
    \mergeDifferentlyHeadedOn
    \set harmonicDots = ##t
    \set Staff.instrumentName = "Gtr2 "
    \once \override MultiMeasureRest #'staff-position = #2.0
    \stemNeutral

    R1*3/4_\markup \line { \hspace #-20 \circle \fontsize #-2.0 \musicglyph #"six" { "= D" } } |
    a'4\rest a\rest b8\rest < e, g c > | < d_~ g^~ b^~ >2. |
    < d g b >2 a'4\rest | < a d fis >4. < b d fis >8 <  b e g~ > < b d g > |
    < a d fis >4 < fis b dis fis > < e gis b e >~ | < e gis b e > a4\rest a\rest |
    s2. | s2 b8 a | < d, g b >2.~ | < d g b >2. | 
    \repeat unfold 7 { s2. }
   % \override Voice.Script #'avoid-slur = #'outside
   % c8(^- b16 a g2) | b8( a16 g \TUpc e4~ e8 d16 c) | b8_( a16 g e4_~ e8) e16^( cis |
   % e2) < fis a >4 |
    < e gis >8  b16_\(_([ cis]) e[_( fis) gis b_~] \stemDown b4\) |
    \stemNeutral
    s8  b,16_\(_( cis) e[_( fis) gis b]\) < e, g c e >4~ |
    < e g c e >8[ < fis d' > < g b >] < e a >4.^- |
    \repeat unfold 3 { s2. }
    \set fingeringOrientations = #'(left)
    < e'-1 b'-3 >8._( < d-2 g-4 >16 < e b' >8 < g-1 d'-3 > < b e > < d g > | 
    \override Voice.Script #'avoid-slur = #'inside
    < e-2 b'-4 >8 < d g >  < c,-1 b'-2 >4_-
    \once \override Script #'padding = #0.5
    \H < a d >)_- |
    d'4\rest d\rest \stemUp
    \set Staff.ottavation = #"8va"
    \once \override Staff.OttavaBracket.direction = #UP
    \N \SDnb d4(~^- | d4~ d8 b16 g e8 g16 b |
    \stemNeutral
    d8 b16 g e8 g16 b g8) g16( e |
    g4 fis e | d4. c8 b
    \set fingeringOrientations = #'(right)
    < a-0_\4 >) |
    \tieNeutral
    g16_(^\3 a^\4 \TDnc b8~^\2 b16 a \TDnc g8~ g16 fis^\6 e8~^\5 |
    e16 < d^\4 > e8~ e16 d e8~ e16 d e8~ |
    \unset Staff.ottavation
    e16)
    \slurNeutral
    \stemNeutral
    \X < d g >(^. < e a >^. < g c >^. \stemUp < a d >^. < c e >^. < d g >^. < e a >)^. 
    \stemNeutral
    \tupletDown \override TupletBracket.bracket-visibility = ##f
    \override Voice.Script #'avoid-slur = #'inside
    \tuplet 3/2 { < g-3 c-4 >8(^. < a d >^. < c-3 e-2 >)^. } |
    \set fingeringOrientations = #'(left)
    < g_~\harmonic b^~\harmonic g'^~-4 > 2. |
    < g\harmonic b^~\harmonic g' > 2. | \TUpa b2.~\harmonic |
    \H b4 g\rest g\rest |
 
}


voicetwo = \relative c {
    \mergeDifferentlyHeadedOn
    \set fingeringOrientations = #'(left)
    \set harmonicDots = ##t
    \override Voice.Script #'avoid-slur = #'inside
    \repeat unfold 7 { s2. }
    < f g b >2 < g a cis >4 | \stemUp < f g b >4 < g a cis > \stemDown e |
    \stemUp
    \once \override NoteColumn.force-hshift = #-1.0
    \repeat unfold 9 { s2. }
    \stemUp s2 < cis'^4^\3 >8
    < e >16^( cis | < gis b e >2) s4 |
%}
    \repeat unfold 6 { s2. }
    \stemDown
    < e'\harmonic g\harmonic >2.~ | < e\harmonic g\harmonic >2. |
    \repeat unfold 8 { s2. }
    g'4 s2 |
%}
}

voicethree = \relative c' {
    \mergeDifferentlyHeadedOn
    \set harmonicDots = ##t
    \stemUp
    \repeat unfold 11 { s2. }
     < d, a' c >2.\A | < d g b >2 a'4\rest |
    \repeat unfold 24 { s2. }
     \stemDown
     \H g4_- g\rest g\rest |
}

voicefour = \relative c, {
    \mergeDifferentlyHeadedOn
    \set harmonicDots = ##t
\set Staff.connectArpeggios = ##t
    s2. | s2. | s2. | s2. |
    s2. | s2. | s2. |
    s2. | e4\rest e\rest d8\rest d |
    g2.~ | g2. | g2.\A | 
    s2. |
    < c' e >8. < d fis >16  < c e >8. < b d >16 < a c >8. < g b >16 |
    < f a >2. | < g c e >2. | < e a c >4 < fis a c >2 | < c e g >4 < fis a b >2 |
%    e'8 s8 s4
%    \once \override Script #'padding = #0.5
%    c4~_- | c8[ d e] r a,4 | \stemUp c8[ d] e a,4 d,8 |
%    g8.( < e b' >16 d8 < e b' > < g d' > < b e > | < g d' >8 < e b' > g4 < d a' >) |
}

guitartwo = << \voiceone \\ \voicetwo \\ \voicethree \\ \voicefour >>